Thursday, June 24, 2010

Mark Deez - Interview (2010)



WS: Mark Deez is an MC from Augusta, Georgia, USA who's signed to my label Uncut Productions, and drops his album "The Oracle" on my label on July 1st. - 2010. We decided to have a little chat about making the album cause the heads wants to know. First, real quick for people who don't already know. Who's Mark Deez?

MD: I am entirely myself. I don't try to be like anyone else. I try to keep it 100% at all times. There's so many cats out there that like to put on a front and act a certain way, whereas I'm just myself at all times, there's no act, no facade, no frontin'. What you see and hear is what you get. I'm just a very hungry, very motivated artist from Augusta, Georgia. An absolute product of my environment. I come from a very blue collar city, so I try to convey that in my every day life and in my music.

WS: Co-sign. You're a very hard working artist as well, I'm tempted to say the hardest working man in the Hiphop biz much like your hometown cat James Brown (RIP) was tha hardest working man in showbiz. So, what's your mission in Hiphop? Like, where do you see yourself in five years from now, and how will you get there?

MD: My mission in Hip Hop is to bring back the unity in the community. I feel like everyone is truthfully out for themselves instead of being ready and willing to build with other artists. So my mission is to bring back the art within the realm of music. 5 years from now, hopefully, I'll be alive and well, making the best records possible, and be a bit better off financially than my current situation. That's honestly what I'm striving for. And my plan to get there is by working with the best of the best and putting out quality music.

WS: I agree. If you go back to the early days of Hiphop when the Zulu Nation brought all the elements together to one culture it was about peace, unity etc. Of course it's always been competitive as well which is good for progress, but the way I see it is the Hiphop nation is ONE nation (under a groove). Let's talk about the records you've released, and some artists you've worked with?

MD: I've released close to a dozen mixtapes in my career, since my high school days. I currently have 2 albums released, The Cycle of Struggle and The Oracle, and hopefully will have a 3rd by the end of 2010. I've worked with artists from all over the planet. From local artists to some of the most known unknowns on the underground to some mainstream artists. Some of my favorite artists that I've worked with include Canibus, Kool G Rap, Craig G, Ras Kass, T-Rock, Fish Scales of Nappy Roots, Snowgoons, Sicknature, my Grindhouse Gang brethren, and of course WHITE SHADOW!



WS: Word! Let's take it back for a minute. How did you and I hook up?

MD: The first time I heard about you was the "Narrow Grave" joint on the first Army of The Pharaohs album. I thought beat was crazy and Chief Kamachi had my favorite verse on it. So from there, I did my research on you, found out who you are, where you were from, what albums you had released (Renegades, etc.) and I found you on Myspace and we went from there. So once again for the cats who say that social networking doesn't have merit, you better check your credentials! And from there we got to work on some tracks for your album, Victory, which is one of my favorite records from 2009 even if I hadn't been featured on it. That joint is crazy!

WS: Thanks fam, I definitely appreciate that as to me Victory is my best album, and networking is everything. Let's talk about The Oracle album. What can people expect? Who's on it?, etc...

MD: The Oracle is my 2nd official studio album. I have a special place in my heart for The Oracle because I feel its some of my finest work to date and I think its going to be difficult moving forward from this project to release something on par with the quality of the tracks that the album has. The Hip Hop Heads can expect a bit of everything from raw, aggressive Hip Hop to more soulful boom bap to the internal struggles of being an artist to a nuclear holocaust on a planetary scale. As far as features, you can expect production from some of the finest artists in the underground. Domingo is a legendary producer who has worked with a lot of big names, so its an honor to have him on there. Some of Europe's finest producers like Snowgoons, Sicknature, White Shadow, Brods, and Soul Theory. Then some up and coming producers that people may not have had a chance to hear yet like Archimedes and Powder, and those guys can really bring it! As far as emcees, there's a track on there with I believe 19 features on it, 9 minutes long, with artists like Godilla, IDE & Alucard of Creative Juices, Powder, Dr. iLL, and so many other great emcees. My artists from my label, Mr. Untouchable Music, Young B & Lil Loco, are also featured on a track called "Warriors" and we've been great friends since middle & high school days, so its fun to be able to work with your close friends.

WS: Any fun stories from making the album?

MD: The entire experience was fun. White Shadow and I had an excellent time making this album. A lot of the tracks on the album and some of the lines that I spoke on the album were in reference to conversations that White Shadow & I had while brainstorming on the project. I guess a fun story to tell the people out there is how my studio computer died and I lost just about EVERYTHING from the album and basically had to start over from scratch. There were several songs that I recorded at Dr. iLL's studio, iLL-Legit Records, he was a big help to me, but eventually, I got my priorities in line and got a new computer, and finished up the project.

WS: Yeah, I had one computer die on me, and another still strugglin' from overheating after makin' this album, and some of my online accounts were hacked creating a small mess for a sec, so sometimes I felt we had some people or powers against us that we had to overcome in order for this album to drop. lmao. Also, a lot of special, and not so good stuff happened during the making of it. My dad died..RIP, and so did some cats in Hiphop that I had the pleasure of knowing back in the days, such as Roc Raida (RIP), and some other strange going on's like that weird shit in the sky up in the north of Norway that's only happened once before in like Japan I think. All that stuff was inspirational to me one way or the other while workin' on The Oracle.



WS: Let's talk some about how we hooked up with so many dope producers and MC's for the album?

MD: The entire album was done for free and out of love for HIP HOP. Its a true testament to the culture and the art form, and its a pleasure to be able to work with all of the great artists on this album. Especially Sicknature and Snowgoons, they really came through, so shout outs to them, especially DJ Illegal, he really helped me out in a lot of ways, so I have a great respect for him and hope to continue working with them in the future. As far as the emcees go, most of these artists are friends of mine or artists that I build with on a regular basis, or even artists that I'd had a close eye on for a long time and wanted to get on some tracks. Also I'd like to give a special shoutout to the good people at Spitboss.com - this is a private online Hip Hop community where a lot of great artists work together on their craft, and several of the artists featured on "Build and Destroy" are Spitboss members that I reached out to. If you're not familiar with Spitboss, I suggest that you look into it. Its basically the "Myspace for Hip Hop" and its a great way to build with artists, both up and coming, and established. Canibus is one of the great minds who spearheaded the Spitboss operation and helped to get it up and running, and its an honor to be a part of that community.

WS: Yeah, Spitboss is dope, and Canibus is better on the mic than ever, and so is a lot of other cats from back in the days who are still in the game but you know how this biz sleeps on artists that's been around for a while for no apparent reason. Me too, I'd like to give a HUGE shout out to The Snowgoons, Illegal, Sicknature, Brods, Soul Theory for hookin' us up with free beats for the album all for the love of Hiphop. What's your favorite songs on it, and why?

MD: My favorite song is "The Four Seasons" which is not to be confused with the 5 star hotel, HAHAHA. The concept for the song was cultivated by myself and White Shadow after having a few conversations about our lives and how life is like the four seasons. So there's 4 verses that represent the experience of life. Spring (birth/childhood), Summer (adulthood/prime of your life), Fall (middle-age), and Winter (elderly), and it really came out beautiful, I think its a really beautiful track and it couldn't have been done any better on our behalf.

WS: Or not to be confused with the classical piece either though it is a beautiful track like that. Also my favorite on the album. I wanna thank my best friend from childhood, Helge Ronny, who talked about life being like the four seasons when at a drunken late night session at my house. That stuck with me, and became the inspiration for the lyrics that you wrote like a true grandmaster. Also, I actually wrote the hooks on this one, and BIG thanks to my cousin Line as well for singin' them. My other personal fav's on it is "The Oracle", "Build & Destroy", and "Striking Gold", but the whole album's sick, and every song a banger, but at the end of the day it's up to the heads to decide. Do you think they'll love or hate it?

MD: It all depends on what the people want from me as an artist. If you're expecting a project similar to my first album, The Cycle of Struggle, then you probably won't like it. This album is more cohesive, more concrete. Its really in your face and isn't as mysterious as my previous release. The production is a lot more energetic and aggressive. So if you like dope lyricism, banging beats, and some of the best scratches that you will ever hear on a Hip Hop track, then tune into the album and I promise you won't be disappointed.



WS: Thanks again fam! On to the unavoidable question: What's the deal with ughh.com deleting all the album ratings, and comments, and how do you feel about the situation?

MD: I honestly don't know what the deal is. They've sent me several e-mails threatening me saying "70 5 star ratings in one day, yeah right!" - I guess they think I put together some sort of coalition to comment and rate the album, when I honestly didn't. I might've known maybe 15-20 of the people who rated the album, the rest were from fans who either bought the album directly from me, heard the sampler online, or are just genuine fans anticipating the release. I'm not really mad at the situation, I just think its kind of ridiculous that all I did was post a purchase link to the album on my social networking pages, to bring business to them, and then they get heated because they're getting promotion out of it. It honestly makes no sense to me and I think they have an agenda against me, for reasons unknown. I hope that the situation will die down because I've been a supporter of their website for years now, but as they, "one monkey doesn't stop the show!" so we'll keep it moving, regardless.

WS: Yeah, I mean ughh.com I've always supported too so I don't like having this misunderstanding with them, but we'll keep it movin' regardless of who's down or not as no one's in full power of Hiphop or whatever. Any artist, store, position, etc can be replaced and that goes for all of us, like, you're loved one day, hated the next, and so on, and I don't think they're hating on any of us as they are a business, so I think it's more about bringing hits to their site like they've probably been paying attention to the way we've promoted this album for months now, and know we hang out online, so they knew it would piss us off if they deleted everything. Proof to that is that you've been on the top searches on their site for a while now which ultimately is good promo like any promo is good promo, and I think they make a lot of money on people buying ads on their site, so anything that even smells of free promo is banned there, and also they didn't believe a fairly new artist could get more honest 5 star ratings off the album snippets alone than most established artists do in months, without it being a set up. They think it was fixed by us which I swear to the almighty it was not as we don't do shady biz, but they don't know us on a personal level, so they don't believe us. I've always respected Quest, and ughh.com, and they always been good with me on biz matters before now, so I must admit that kinda behaviour from them was disappointing, and unprofessional. I can only hope it stops there, and that they at least get the release date right.

WS: When, and where can people buy it?

MD: The album drops 7/1/10 - July 1. If you want a physical copy, you can buy it off UGHH.com, HHV.de in Germany, Sick-O-Store in Germany, and its also available directly from me via my myspace page (www.myspace.com/markdeez) - If you want a digital copy, then you can get the album via iTunes or AmazonMP3



WS: Sounds good, and should be easy to get. As for promo, any shows coming up stateside, or overseas?

MD: I have a show coming up July 24th in New Jersey at Dingbatz with my group, Grindhouse Gang (myself, Dr. iLL, and Powder), we're opening for Cage. After that, I'm not really sure. I'm hoping to go on tour in Europe sometime late 2010 or early 2011, but I don't have any concrete details on that as of right now. If any booking agents are interested in booking me or GHG, you can contact us directly at grindhousegang@gmail.com

WS: What's next for Mark Deez?

MD: I have another album dropping late 2010 on Famous Records Corp/Universal Music Group with a producer from Canada named Big G. There's a lot of dope features on that project, so stay tuned. Also Militia of Emcees is completed, just trying to get the mastering and mixing completed in the coming months and get that to the fans. We're working on a Grindhouse Gang album as well. Other than those projects, I have a collaboration project with one of my Mr. Untouchable Music artists, Young B, that we're just beginning work on. Me & Powder have a project entirely produced by Powder that's completed, we're working on releasing it through Chambermusik but nothing is 100% right now. Other than that, I'm just building with as many artists as possible. If you're interested in collaborating, just hit me up.

WS: Sounds good fam. Let's wrap this up. It's been a pleasure working with you, and all the great featured artists, and producers on The Oracle, and best of luck on the album sales, and in the future! Finally, anything you wanna add that I forgot to ask?

MD: You've pretty much covered it! But I do want to tell everyone to get the first album to be released on my label, Mr. Untouchable Music, by Young B & Lil Loco. The album is called My Life on A Beat, its been out since June 15, and you can get it on UGHH.com, its got features from myself, Dr. iLL, JR Black, Downpour, and guest production from Pen Pointz, Powder, L-Don, and many more!

www.markdeez.com
www.myspace.com/mruntouchablemusic




Promo Videos:

Mark Deez - The Oracle (Album Sampler)



Mark Deez - Lady In The Waterfall



Mark Deez - Game Over (Feat. Infinito 2017)



Mark Deez - The Oracle (Snowgoons/Sicknature Album Sampler)

Tuesday, March 2, 2010

New White Shadow Interview (2010)





It don't get no more Hiphop than this. Paco Cruz chops it up with The White Shadow, breakin' shit down for all the youngsta's.


You're a Norwegian Hiphop legend that most know little about, and you've been in the "game" for a (short) lifetime. How did you get into Hiphop?

When a friend brought Rappers Delight by The Sugarhill Gang to a school party in the fourth grade of elementary in 1979, on a mixtape with DJ Dave Dale, who was a local DJ in Geilo, where I'm from. I was into Disco and Funk before that, and had just begun to DJ a bit at home and at school parties, with primitive equipment. Belt-drive turntables, two amp's, and four speakers so I could "mix". Didn't know what a DJ mixer was yet.

Dad (RIP) was a big influence too cause he taught me what Disco and DJ's was, and I grew up with music since he was a musician.

Hip Hop came to Norway with Disco, and Rappers Delight by The Sugarhill Gang, Rhythm Talk by Jocko, and Rap-O Clap-O by Joe Bataan were all on the national top ten in 1980. Since most rap records at the time were 10-15 minutes long some of us kids would compete to see who knew most of the lyrics for Rappers Delight and The Message.

Radio Lux also inspired when they played all the new records imported from the US, and most of the early rap records were played for the first time in Europe there. Rappers Delight, Wheels Of Steel, It's Nasty, The Message, Planet Rock, Play That Beat Mr. DJ, etc.
I heard cutting for the first time in 1981 when they played Wheels Of Steel, and destroyed a couple of turntables because of it.

B-Boy and Graff I saw the first time on some documentaries that aired on Norwegian TV in 82/83, and it made me realize that it was all a part of one culture, and I think most of the old school heads from here have similar experiences. The difference for me was that I started with Disco, got into Hiphop from there, and many who had no particular relation to Hiphop liked rap music and thought it was part of Disco in the late 70's, which it was, as a lot of Disco was played on the Hiphop scene in New York, like Chic, Grace Jones, and even the Human League, and Disco Dj's were the first to use two copies of a record to extend the breaks, and since Hiphop began with Dj's rockin' breaks, and Disco Dj's started with that, Hiphop and Disco were parts of the same dance music scene in New York in the 60, 70 and 80's.

You was the opening dj for major rap acts when you lived in NY in the early 90's (Busta Rhymes, Jay-Z, A Tribe Called Quest, and others). Do you feel that you're getting more recognition in the States than at home?

It's happened that people who know me in the US. have told people in Norway about me, haha, and makes sense to get more props in the US than in Norway since I mostly work with people from there, but it's about the same in Europe and the US I guess, but I'm perhaps more slept on comercially in Norway because I don't make commercial rap music, and have never been much into rap in languages other than English either, so I guess I'm a bit different out here because of that, and I do feel more a part of the US Hiphop scene.

You won the Norwegian DMC Championship in 1988 (and 89) but your first album didn't drop until 2005. Why the hold up?


Not much of a hold up, but a lot of work. Started making beats in 88, moved to New York in 91 and was into DJ'ing then. Played at most clubs there, and produced a bit on the side, and was a member of various crews there, including BDP. It was when I got back from New York that I focused more on making beats, and it helped when I got the SP-1200 sampler too, so I spent a few years in the lab before any records were released.

The first record I was part of was the Jamalski album "Roughneck Reality" on Sony / Ruffhouse in 1993, but that was just cuts. The first record I produced was a House ep on Norwegian Thang Records, distributed by Peppermint Jam in Germany, in 1995, named Poon Thang EP, which I produced under the name of 109th Street Connection, then I worked with various mc's in Norway for a few years that resulted in the Mindstate, and Glammalife singles where I did both beats and cuts. It was the first releases where you can hear my style on both cuts and beats, that I continue to build on nowadays, and after that, Roll Out by D-Stroy in 2001, Leisure by Maylay Sparks and Grand Agent in 2002, then my own EP "Back To The True School" on vinyl, featuring Celph Titled, Grand Agent, D-Stroy, and more, on Uncut Productions in 2003, plus production for Maylay Sparks, Celph Titled, Army Of The Pharaohs, Malik B from The Roots, Supastition, Pizdamen, etc.

In 2003, I finished an early version of my debut album "Renegades", but I wasted a couple of years trying to get it signed to various labels, and went through three record deals in the US. that didn't work out because the labels were either too small and had too low of a budget to implement the release despite the fact that they were pretty well known indie labels, and illegal downloading had just started to kill off the smaller labels as well, so I continued to create new songs, and hook up with various artists during that period, so in 2005 I had a new version of "Renegades" ready, and released it myself. After that, it's been a steady flow of releases, about 3-5 a year, before last and this year, where it's a lot more.

You seem like a perfectionist and a man who does not release the projects until you are 110% satisfied. Do you work mostly as a producer in the studio when working with artists? Or is it beats sent on the Internet?

Thanks. Trying to do my best always, and sometimes I even manage. All the work's done online, and I'm happy bout that. Studio sessions were fun, and we could come up with things we wouldn't otherwise, that way, but there was also a lot more time wasted, and by workin' online mc's trying to be producers, and vice versa is over now which is a good thing, cause we can make a lot more, and better, music that way in my opinion.

How has the Internet changed the game, and how did you hook up with mc's from the US in the early/mid 90's? Cd's in the mail?

Pros: Easier to get in touch with artists, much faster to make music through Email, don't have to waste expensive studio time, costs close to nothing to release an album online, makes my music available easy to a lot more people, free promotion, all you need for recording, etc. is free.

Cons: Hardly ever meet the artists I work with in person anymore which was part of the fun of studio sessions back in the days, illegal downloading has made the whole industry lose a lot of money. I've probably lost several 100 000 Norwegian, due to my albums being easy to get for free online, but when an album's leaked you can pretty much forget about stopping it, so I turn the promotion of being available for free to my advantage instead.

Before the web it was CDs in the mail, phonecalls, and working in the studio, often as part of the deal when booking artists for shows in Europe.


And how do you feel HipHop as a genre has evolved since you first became a fan of the culture?

I think the best era of what you could call real Hiphop was in the 70's before there were records, but only tape recordings of jams in the Bronx. Hiphop became commercial when Rappers Delight dropped, but the early rap records were still far from radio friendly because of their length, so the music that was released in early 80's on labels like Sugar Hill and Enjoy is the closest to real Hiphop because it reflects what was going on at live jams in the Bronx. Starting with Run-DMC the songs got more commercial, 3-4 min. long with hooks to please the radio and pop charts. Hiphop, like other music before it got milked by greedy artists and label execs, and has become more and more commercial ever since. Now Hiphop culture is pop culture, but at the same time there's an underground scene that has more in common with what Hiphop really is because it still consists of mc's with skills on the mic, and beats based on samples, and to some extent breakbeats, but real Hiphop as it was in the beginning you will only experience at jams like the Zulu Nation and Rock Steady Anniversaries nowadays. The way Hiphop's evolved is that those who take it seriously have gotten better at what they do. Styles are more complex now, but on the other hand there is the commercial rap music that's reduced Hiphop to below retarded, but there's Hiphop culture, and rap music culture, and those are two totally different things.

You work with the what we like to call "real" rappers and the "real" hip-hop artists. How do you feel about the developments in the music and sound since the 90's "bling bling" music and up to today's even more ignorant and questionable styles?

The commercial rap artists are not a part of the Hiphop culture, and so they're irrelevant to Hiphop, but hardcore Hiphop is a dying breed. Not many left of us who make that music, but there's a new generation of great up and coming artists, but to hear them you have to search on the web, cause most of them will never get played much on radio, or TV.

There's a select few big corporations who own the major record labels and radio stations in the US, which is the country that determines what blows up worldwide. They decides what gets airplay, and only support braindead party rap or fake gangster shit because they want Hiphop to become a parody of itself. They want to downplay the importance of Hiphop, and clown the hell out of it til no one takes it seriously. We're already there or no?

A little more quality control was a good idea. Maybe it went a bit too far in the 90's when only boom bap was considered real, but at the same time we see what happened when the "rules" were gone. Do we really want Hiphop to be singy-songy pop music? That's not a good thing to me.

Another thing is that Hiphop's starting to get old, and most have been sampled and used, so the days when Hiphop was new, and controversial is for the most part gone anyway. Time for something brand new maybe?

When you look at your discography, there's no doubt that this is one of the most impressive discographies in Norwegian Hiphop, and big names such as: Wordsworth (EMC), Tash (The Alkaholiks), Malik B (The Roots), Easy Mo Bee, Vinnie Paz (AOTP / JMT), Krumbsnatcha, Louis Logic, and Supastition (Lost Colony) are only some of the people you've worked with. Who would you want to work with the most?

Thank you. Many years of hard work to accomplish what I have, but some luck too. I'm very happy that I've had the opportunity to work with most of my favorite artists, because I mostly listen to stuff like Jedi Mind Tricks, Snowgoons, Non Phixion, La Coka Nostra, and so on when it comes to new Hiphop, and have made tracks with most of the cats I liked from back in the days who are still active as well, so there's not that many I still feel that I have to work with. I've worked with most of the legendary mc's on my albums, or on other releases, and most of those who remain are on my next, and final album.

Looking at the Norwegians you have worked with, the list is quite strange. Everything from legendary: Anarad, to .. El Axel, Mad Con, Paperboys, Kleen Cut, and Silje Nergaard (!!!). Do you feel that you are labeled as a strictly Hiphop producer who has more to offer when it comes to other genres too?

It's quite varied, yes, and Disco and Funk is where I come from musically, and released an 80's style Funk / Boogie single online last year, but Hip Hop is my genre, and I have no desire to make music in other genres. I love the 70 and 80's music I grew up on, but I'm fine just listening to it. Perhaps I'll do another House 12" or ep eventually, we'll see.

What are you up to nowadays? And what artists are you workin' with?

I can't talk much about who's on my next album yet, but it's a combo of legends and newer underground artists like my previous joints, and will be an even sicker line up of featured artists than on the "Victory" album. Imma give a little extra on everything since it's the last album. Most of the vocals have been recorded, and are waiting for me to get started on the album. That'll probably be in the fall, so it will be out some time in 2011.

Working with a lot of dope up and coming artists as well, and will be releasing two albums on my label Uncut Productions this year. The first is called "Classic Regulations", together with Infinito 2017 who is a legendary MC from Chicago with more than 200 albums to his credit. We call ourselves Next Universe, and the album is completely different from "Victory". That was an epic, hardcore album, while the Next Universe is laidback and jazzy. Came out digitally on March 1st. on ITunes and Amazon.

I've also signed Mark Deez from Augusta, Georgia to Uncut, and his album drops in August. Mark Deez is one of the best new mc's from the US, and is a part of The Grindhouse Gang along with Powder, Dr. ILL, and Lord Lhus who's also known from the Snowgoons' albums, and Mark's album is the most hardcore album I've been a part of so far. We also have some of the best producers from the US, Europe, and Norway on the album, and we're about 1/3 done.

In addition, I produce and lay cuts on a whole lot of other records. Be on the look out for them online, especially on ITunes, and ughh.com. I can't talk much about them yet, but the last song I did cuts for was featuring Canibus and Kool G Rap.

Not counting Beat Making and Turntabelism, have you ever been into the other "elements"?

All of them. Breakin' and Graff from 83-86 but had no talent so I quit. Rap since 79/80, and I still write sometimes. Have a few tracks out there where I'm on the mic. Don't have mad skills, but am able to lay down a dope verse or two if needed. Dj and producing is what I've been doing for the longest. Dj since 1978, and beats since 1988, and will ease up on producing next year, so I'll most likely finish where I started, as a DJ.

Props to Pablo Cruz for the interview.
Norwegian version at duvet.no

Wednesday, December 30, 2009

Victory album comments

Here's a bunch of online comments about my album "Victory"

Thanks everyone for the kind words.

Youtube:

hell yeah, this album, and especially this track (Verbal Assault), are so sick that when I rock it even my fucking dog bobs his head to this shit.
MrTeddySalad


i am from norway, and i have never heard about them:)
dangerarslan
open your ears then, the white shadow of norway is a beast. he produced "narrow grave" on AOTP's torture papers
markdeez33

I picked up the whole album this morning, all 15 tracks are awesome. The Melle Mel one needs to be heard by every ignorant mainstream douche bag...'cept they wouldn't even understand....
MrTeddySalad


BUY THIS ALBUM RIGHT F'N NOW
markdeez33

all ive heard is this song (album preview) and verbal assualt and there so fucking sick i wanna bang this shit on my ipod
GenocideGeneral207

Wow... dope man. Good hip-hop in Norway.
Peace from Romania! :)
Crimedox

yo dis is off the fuckin meat rack blat blat
chasitym33

coppin it
FiswaT

dope! lookin forward!
Snowgoons

dope
rompetrolletgunot

(Classic Regulations) sounds like trailer park boys theme song every now and then in the background... anyone else hear that? haha, dope song btw
ncorbiere
ya ahah it does sound like a screwed versionof tpb theme song
PEDOPHILEPAUL9M


OHHHH SHIT!!!
Brilliant!
CRYPTfromCATACOMBZ


sicknesss
buj4k4


real hiphop is everywhere ;-)
djraffmatic


the beat (Ready For War) is fuckin sick!!
xcrazybastrdx


this is hard (You Don't Want)...finding real hip hop...thx tuck
BoostMonsterSpecV


Thiz iz synonim for quality hip-hop. 6/5
CRYPTfromCATACOMBZ


Some of the best stuff you put up in a while. Really love the energy on the beats. Keep doing your thing tuck, loving the exposure you're giving these artists.
SpeedyStorm


Verbal assault is crazy, for me the best song.
THKeeP


dope...whole album is sick!!!
19MiLo87


miazga!!!
oikoer



NORWAY!!!
i live in norway ;)
ZedSoTutorials



all tracks sounds dope!
alltidalex



GRINDHOUSE GANG ON THIS SHIT!
FiswaT



nice
HOSTILEPRODUCTtv



yall better go on iTunes right now and get this shizz Grindhouse Gang!!! GHG whatt

White Shadow muthafuckaz

shit is too ill

-Dr.iLL (GHG)
ILLLEGITRECORDS



4REAL KILLA!!!!!!!!!!!!!!!!!!
BLAQXMASQ


THIS SHIT IS SICK DO U HAVE THE BEAT
Thehiph0p3


FUCKIN KILLER !!! GOOD JOB GUYS !
niaXa


some pretty hot shit damn good post mayne 10/10 foo shoo
Peeh23


Everybody Cop this Album!!! its OUT NOW today

The album can be purchased from iTunes, Amazon, Napster, EMusic and various other places.

Grindhouse Gang (GHG) is all over this album

rockin w/ legends!!!
soufcackondeck


this music is hella nice =)
THKeeP


sick shit!!
RGAPmusic


sick shit!! hilsen fra norge!!
Andrefondrei


this shit's dope. holla Norvege.
tahbit


raw
stevenm2009


word white shadow!
MegaBustANut


i should have hopped on this.....fuck.
LORDLHUS


dope! 5 stars fo sho!
Brilliant!
Nanducci


excellent work, greetings
ozografik


this is a hip-hop classic album right here straight up.... historical shit from the core to the present
ILLLEGITRECORDS


hardcoreee! IDE kill em all...
SeshnN


dope as fuck!!!! one of the sickest beats in a minute (Verbal Assault)
ILLLEGITRECORDS


White Shadows a beats on the beats! Much success hommie.
Ideologytv


A true hip hop classic!
markdeez33


Reminds me a bit of Jedi Mind Tricks.
Never expected this kinda stuff to drop from norway. This is awesome !
jenglejack7


werd up im on 3 tracks of this bitch too big ups to white shadow hes the man
D3ADKENNEDY


cop this shit! i am on 3 tracks on the album! WHITE SHADOW OF NORWAY IS A BEAST!!!!! IDE & ALUCARD RIPPED THIS 2 SHREDS
markdeez33


very familiar. this song is great, got some good scratches
ProjectBlaze420


cant wait for this shit 2 drop
yungmoney514


this is that shit! lovely beat WS!! (Before)
beats4beasts


Lovin' that track! (Before)
Lollerfish


hot shit!
DaydreamersNightmare


Dope
rediheadhigh


sounds dope,
OGDonNinja


Yep, the real shit never dies.
sludgewar



The White Shadow of Norway = one of the dopest producers in the game today!!

Support this album! I am on 3 tracks. This album has features from all over the place! Absolutely DOPE.
markdeez33



wtf they are from norway
imposible!
dangerarslan


Yeah dope beat ill producer and pioneers !
Metamophisis


nice
Andrefondrei

Norway in the house!
I'm from here (Norway), and I've just heard of White Shadow, but never heard his music. Sounds like it's gonna be dope.
Beatnuk


dope track
SanjitS95


dopeee
VProductionzZ


this guy is killing it ...
INFINITO2017


too bad lhus (ghg) cudnt hop on this track (Victory)
FiswaT


heftig heftig
postitiveherbman


dope track ! (Verbal Assault)
CEASONE77

dope track (Verbal Assault) thanks 4 the upload
favourited 5*
peace
qc1st


nice beat (The Rap Game)
EXL0KI4319


Reckonnyze HardCore Hip-Hip
qc1st


dope intro (The Rap Game)
hiphopbeatsfromtheNW


geils album!
fuckedfromabove90



No problem bout the verses, I was glad to do it. You put me on with craig G! I should be thanking you for the privelage to be on such a dope album, in fact I will. THANK YOU!!! :)
Powder


Thanks dude It couldn't of come out better in my opinion. The cuts are insane on that joint too! Hope to work with you again in the future man.
Powder


Tja man!
Grymt feta track du har gjort till nya albumet, bra artister du har fått mer :)

Ha det bra THE MAN!
DJ STQ


Nice channel..Victory produksjonene er dynamitt! Må skryte av Bloodbath tracken på Demoz mixtapen oxo. Big ups! Peace
peteregor


=) i used one of u new album song in my video =) very thanks, that music matched in my dance =)
THKeeP


yo dope beats man! the snowgoons forward me your shit! nice work bro
DaydreamersNightmare


This is my man right here! thanks for everything! The cuts on 'the grand finale' were ill dude, as is your style. Lovin the album too!
Powder


hehe, jeg har alri hørt om white shadow of norway:) jeg som hører på sykt mye underground hiphop:)
dangerarslan
skam deg !
Andrefondrei



Facebook:

Raynaud Diaz Mr Shadow always busy, always working to preserve the state of hiphop how are you friend? I must be like the slowest rapper you ever dealt with but have some patience with me it'll pay off soon.

Kim Decloedt yes it is! ;) this is the face behind the e-mails...everything's fine here...hope all is well in norway - looking forward to some new material! greetings sir!

Shawn Shotzawiski
congrats fam! cant wait ta hear it

Cecilie Endrestøl
Mad bra cover Tage!!! Thumbs up!!! hvem har laget det?? :)

John Roger Jamth
Me like :-)

Karl-Fr. Teigen
awesome..!...saywhat, kinda black-metal-ish aint it?!! :)

Jody Madhandz Howitt-Page
HEAVY!!!! Hope your cool and albums looking like a classic bro!

Helge Ryo-bergstad
Kult, ren ondskap, jævla godt bilde.

Henrik Lindkvist
nice

Raynaud Diaz
Respect! dope cover man

Simon Vandekerckhove
Dope how you covered up that featuring-stamp! LOL cheers!

Jan Jaritz
Stilig snutt :)

Arve Is Djforjoy Gundersen
FRESH!

KJ Rhyme
Kool G Rap??
Damn! Det er hella nice. Props.

Celine Haga
victoryyyyyyy!!!!!!

Seven Da Pantha
Glad to see you gettin it in homie!!

Ketil Faukland
Diggin`it

Jørgen Brodson
faen! det her blir rått!!!

Dag Kvammen
nice!

Knut-Even Bergstad
Røte bilde Tage, du er vakker

Cecilie Endrestøl
Can't wait!! :D

Marius Jacobsen
another white album for my collection :)

Devastate Swe
sounds dope any snippets

Kenneth Bucktooth Ankjell
Damn..litt av en line-up..big up!

Seven Da Pantha
Victory indeed family!!! You got a monster on your hands!!! i love what you did with the joint too!!! Let's get it!

Nils Henrik Teigen
Great Teaser!

Karl-Fr. Teigen
kul!

Aaron Wade Pulley
I can't believe you put "All My Friends" on your album... Jay Bee and I were HOWLING in laughter about that last night!

Bernt Kvarstein
good shit .. cant wait for the rest of the album.:)

Thomas Sørgård gleder meg til skiva!

Cecilie Endrestøl
It's ALL good, old man :) haha, on top of your game you are! Shit gets CRAZY when you know how to play....that game! ;)

Finn Sataøen
Dette tar jo helt av da !!

Rec Cards grattis kompis, ekte hip hop vil altid være en seier....
fred og hold d gåanes din gamle ørn!
pablo.

Helge Ryo-bergstad
VICTOOORRRRYYYYYYY Bra musikk ja,ja,JA,ja

Michael Danahey
WHAT WHAT! Track 3 represent!!! Thanks homie :)

Jørgen Brodson
detta blir bra :)

Frode Aaboen
Det der hørtes jævlig bra ut! Gratulerer!

Bent Olav Holtsmark
Jeg vil påstå du har en kommersiell hit med 2'ern :) start 39sek. ellers høres resten veldig bra ut.

Jon-Are Masternes
dette lover så jævlig bra!

Marius Jacobsen
oh shit this is gonna be a dope album!

Karl-Fr. Teigen
trur jeg hørte deg sist på kasset laga på gutterommet, evt. "klubben" på Geilo...formidabel utvikling...!!..;))

DeeJay TORO
Bra ting. :) Gleder meg til å høre hele skiva. Stå på.
ZULU FOREVER!!

If you don't buy White Shadow's Victory on Monday (10/26) and Snowgoons Trojan Horse on Tuesday (10/27) then you should go to one of those Suicide Booths from Futurama and end your life in a violent fashion (Mark Deez - 2009)
SUPPORT THE ALBUM EVERYBODY!
Mark Deez

KJ Rhyme Fett, gleder meg allerede.
Reklamerer litt på siden min om albumet ditt om det går greit?

Oddgeir Olsen
Sinnsykt fett album, grattis med releasen

Seven Da Pantha
Already got it homie!! Str8 FIYA!!!!

John Ioannou
definitely!!!!!!!!!!!!!! peace from Greece

Jørgen Brodson
Gratulerer! gleder meg til å sjekke ut ordentlig..

Anthony Paulis nice to see things are going good congrats on the release ! star packed !

Marcellous Lovelace
dude you at it constant ...

Morten Hoff
Kjøpte på iTunes nå...some trill sh*t you got going on! :)

Bobby Brewski
bought it!

Salvador Ernesto Sanchez Weishaupt
fete cuts ass:)

Morten Kaupang Fææen! Har ikke fått kjøpt albumet ditt ennå.. men SKAL! Hørtes jævlig lovende ut!

Trent Akre
heard the new album. good work! can't believe you put that pizdamen cut on there; brought it back lovely man!

Karl-Fr. Teigen
Jepp! Fikk liv i iPhon' og iTunes idag. Fant deg der. Er mer into "jævelrock" enn det meste annet, men det er tydelig du har vært med minst siden jeg gadd høre på hip-hop. Grattis med fett album!!

Jody Madhandz Howitt-Page
albums heavy bro!! You produced a classic, every beat is heavy and cuts are razor sharp. The beat on "The End" has been or repeat for about 30mins now.

DeeJay TORO Skiva er noe av det bedre jeg har hørt på mange år. :) Den har gått i ett etter jeg fikk den ned på maskinen. :) Ikke mange rap relaterte ting som får den plassen hos meg. :) Sist var vel Keep Right med KRS og før det New World Order med Poor Rightous Teachers. Så det går noen år mellom hver gang han ONKL T hører noe s...om både fenger og makes sense. :)
Ha en flotters ZULU / HIP HOP Anniversary helg, med masse Peace, Love, Unity and Having Fun!!

Massive Respect & One Love!!
TORO

DeeJay TORO
Terning kast sex!! hehe Har hørt det nå noen ganger å gitt det til sønnen til søsteren min på 14 så han hører å forstår hvordan ting skal lyde og gjøres. Spiller opp til dans før JAA9 & ONKL P i Moss til fredagen å jeg drar igang med hele introen å Melle Mel låta. November 2009 er helt klart i Hip Hop sin karma. Gospel of Hip Hop er ute. Anniversary har vært en suksess to the break a dawn. :) Bilder blir lagt ut i dag. Sier ifra. :) PS Ikke stress med å kjøpe Gospel of Hip Hop. I got a rocket in my pocket. ;) Fred bror stå på målet med Hip Hop kommer nå snikende gjennom spirituelle kanaler ingen kan stoppe i samfunnet. Ingen kan stoppe positive vibrasjoner. :) Peace!

Morten Hoff
You heard the man. Now go buy it. It's harder than Chuck Norris on Viagra!

Seven Da Pantha
everybotody needs to be up on this one!! Hip-Hop @ it's finest!!!

Trent Akre
not a surprise. those freaks body that track! (All My Friends) i love the beat you put to it too man... fits so well with the changes of each verse. padded helmets and flying carpets!

Michael Danahey
I think I just found my christmas gift!

Daniel Busenhart
illest

Navid Gondal
jeg kan kjenne igjen en Tage beat på 2 sekunder!!! :) Dette var FETT Maestro!!!! :)

Navid Gondal
kick-tromma og skarp tromma er som bæsj i kram snø.. toit like a toiger.. !!!!! :)


Helge Ryo-bergstad
Jeg venta på monstret, men det er bra, proft som f.....


Thor Hanson
so dope.

Kim Andre Erikssen
wow. god dammit, det var sykt..

Gratulerer med nytt album mr! Skal få shoppa så fort jeg har noen kroner
Villa


This is so HOT that I got burnmarks on my ears. :)

Much Love and Recpect Shadow!!
ZULU LOVE!!
Deejay TORO

HEEEEEEEEEEEFTIG YO!!! SAVING MY WEEKEND WITH THIS
Soul Theory

takk for et ultrafett album!!
Marius Jacobsen

Hei, har ikke fått hørt ordtlig fram til nå.. Men faen så fett! Det her blir rått som faen!
Bare råe tracks jo!!
.. Rart ikke kingsize.no klarer å ofre noen linjer om skiva etc, men de er vell mer hypp på og skrive om Rnb..
Brods

Kult !! kjøper den når den kommer :) Utrolig mange bra låter der ja !!
Finn Sataøen


I'm going to pass this to my HipHop offical son and we will give this a listen Ill give feedback afterwards. have a good one sweety!
Celeste Alexander


can't wait! congrats!
Aaron Wade

grattis med nytt album
Liv Johansen

Congrats on a new album Boss!!
King Crayon

www comments:
Producer/DJ the White Shadow of Norway has once again succeeded in gathering an outrageous guestlist for his third producer's album. Even more importantly, the beats are claimed (by the man himself) to be his best to date. Not you're average promo talk, people! Cause as soon as we heard Sadat X, Craig G, Pacewon,... ride over the beats; we goddamn knew this was indeed a victory.
platform8470.com

fett. skal mos def sjekke ut
FRRRUCK


ooh! sweet lineup.
JoPPe


DAMN! kool g rap! hadde aldri trodd jeg kom til å høre han namedroppe noen fra norge hahah.. fett
iLL Marino - Sckitz'd the fuck out


Dritfett det som ligger her, gleder meg til skiva (:
HandyCat



LØP Å KJØP FOLKENS!!

Trenger ikke si noe mer her.
The White Shadow går lenger tilbake enn noen andre i Norge når det kommer til dette gamet.
Stå på bror!! ZULU FOREVER!!
TORO


GREETZ FROM FRANCE
PEACE!
HH-Fury Radio 94fm

Sounds good, WS
Magic Juan

congrats dude
DJ 138

good shit man.. now where do we hear it?
Armenoid

Buttazzz!!
Wishing you best
OneMasterMixer



WhiteShadow, Much respect to you, For your passion to make plates, Featuring, The legends like G.Rap, My man, WhiteShadow, Did you ever connect with your man Donald D from the Bronx('Stickup kids', Donald D, That is, My man/LOL).

Much Respect
Mike Barnes



Cool there Whiteshadow. Loved the last one so cant wait for this one. ALWAYS nice to hear G Rap over good beats.
I see Kane pop up now and then since we talking legends that can still bring it. Any chance on getting him in? I know I'm reaching.
lvdphse



Thats wassup Mr.Shadow!!
Still feelin that Hip-Hip L.P you made last yr..I expect nothing from you but the best!!
sammyrock



WhiteShadow, That's a very impressive list of MC's, On your CD roster, My man(Especially, G.Rap, Mel, Sadat X, My man), Whiteshadow, I bet G.Rap, Mel, and Sadat X, Did not show up at the studio, With their rhymes in their socks, My man/LOL, (Mad cats have been

Known to forget their rhymes, Once, They touch the mic, My man/LOL, WhiteShadow, I don't want to toss anyone in the light like that, In regard to cats, Forgetten their rhymes, While in the studio and onstage in a spot(Park/LOL), Etc, But, I will build about this, The

More notable and well-known the MC/Rapper, The more chances that, Notable, Well-known MC, Has fessed in front of thousands of cats, Onstage, In regards to a cat, For-getting his rhymes, Then, Looking at the Dj, As if to say, What now, My man/LOL.

Much Respect
Mike Barnes


Congrats on your project Shadow
Alarick T


looking forward to hearing this.
Sal Paradise


WURK BOIIIII
DaBownca


Sounds good man.
shobizniz

Nice!!
Sean

Fett!!!!
Plato

ELSKER SKIVA DI!
Celine Haga

good to see you again. i like what i hear. good ears. and skillz for cutting those beatZ. happy to see you are keeping busy. good werk my man, and congrat's on your new projects!
Tony Mundaca

Tuesday, November 3, 2009

Victory (Review) (2009)



Big things. Tommy Tee isn't the only Norwegian Hiphop veteran with a new album release nowadays.

The producer and DJ, The White Shadow, from Geilo released his third full length now in October on his own label Uncut Productions, and there's a thorough guestlist, impressive productions, and tight cuts on the menu.

The set starts crazy hard with the legendary Melle Mel, and in the well known White Shadow style we get a hard hitting beat dominated by strings, and scratched hooks.
From there the album continues with some great productions, but the first thing that hits me is some of the Rappers. As expected there's nothing wrong with the beats, but when it comes to the quality of the Rap part it varies a great deal.

Some of the Rappers who gets to grab the mic on the album are unfortunately close to wack, while several are average. In between them there's luckily some gems to save it.

The mood through the whole album is dark, and hard hitting, and as far as genre it doesn't move an inch outside of Hiphop, so look for the R&B-Rap is in a different place this fall. A totally different place.

Like I pointed out briefly earlier, we get quite a lot of scratches on this record, and for an old DJ enthusiast that's gold. I think there are few other DJ's in Norway who masters the same techniques that the Shadow from Geilo masters here. The cuts are advanced, varied, and very Hiphop in general. I'd say The White Shadow has found his own style of production a long time ago, and naturally that's the style of this album. As examples of that there's "Straight Bars", and "Verbal Assault". Other favorites on the album is "You Don't Want" featuring Ripshop, and the DJ Premier inspired title track featuring Craig G, Strick, and The Grindhouse Gang.

Those who had problems with Jaa9 og Onkl Ps "Ekkel Uten Truse" (a Norwegian Hiphop release with nasty lyrics) should steer well clear of The Pizdamen's very explicit "All My Friends" where we get treated to pornographic lyrics, and even some pedophilia. The faint of heart and easily offended is because of that now asked to leave the building.

This is absolute food for the IPod for dark nights of the fall, and the winter. A worthy soundtrack.

(4/6)

Review: Jon Are Masternes

Review in Norwegian at:

grus.as/?p=1125

White Shadow Interview (2009)



http://platform8470.com/artists/ai_whiteshadow2.asp

The White Shadow of Norway: Victory!

Producer/DJ the White Shadow of Norway has once again succeeded in gathering an outrageous guestlist for his third producer's album. Even more importantly, the beats are claimed (by the man himself) to be his best to date. Not you're average promo talk, people! Cause as soon as we heard Sadat X, Craig G, Pacewon,... ride over the beats; we goddamn knew this was indeed a victory. Time for a talk with the-just-turned-40 Shadow.

Congratulations on your third album. It's coming out on oct 26th. How are you anticipating and preparing that release date?

Thanks fam, and good lookin' out once again for the dope artwork you did for it.
The date is actually the earliest I could do after the album was finished cause it takes some time to get the albums up on the online stores, so Oct 26th. was the first date that made sense as it's a Monday, close to Halloween which goes well with the music, and artwork, and is btw Infinito 2017's birthday. He's featured on two songs on the album.
I've just started promo on a more personal level for starters hitting up friends, fans, and affiliates with teaser audio, and videos on Facebook, Twitter, Myspace, Youtube. I have an online street team of sorts who's lookin' out for me promoting the album through Email lists, and various websites. Big up Mark Deez, IDE, and Fiswa T for helping out. Next is advertising on websites, and reviews, interviews, etc.

Checking your three releases in a row: renegades, untouchable and now victory. Is there a storyline through those three words?

Yes. First we were a bunch of Renegades, who became Untouchable, and that lead to Victory. Simple but effective.

You stated this is by far your best work to date. Please explain why you feel that way about Victory? What evolutions did you go through?

First of all I started using a whole lot more software, and I've pretty much switched full time to software based production. I love the SP-1200, and the old way of making beats, but there's only so much you can do with it, and I worked on it for 15 years so I know it inside out, and it has it's limitations. I heard that to be able to keep up with, and hopefully stay a little ahead of competition, I had to update myself, so as far as the beats the arrangements are a lot more varied, and complex than my previous albums but it still has that raw underground feel to it. I still use the SP for the drums, bass, and some samples. The improvements also have to do with experience, and I keep workin' to get better at my craft, and the soundquality of this album is also way better than the previous. I've been doin' this for a minute but I keep learning which is a drive to continue as well, like always trying something new but within the universe of Hiphop as that's my genre. Most of the beats were made especially for this album too after I came up with the title so it all fits better as a concept than before.

The music, style, all the way down to the artwork fits with eachother which is especially important since there's so many different artists featured on it. I always try to make my albums sound like complete albums instead of a producer's compilation or mixtape. I feel I did better on that this time than the last albums. The featured artists did their thing real well also, and there's some legendary cats I grew up listening to on this abum along with some of the best new artists in the underground that made it a great album lyrically too.

Could you tell us more about the monologue in the intro? Was that sort of takin' responsibilities for the culture?

It's Vinnie Paz sampled from a lecture he did about Hiphop, so that was first of all paying my respects to him for including me on the AOTP album, and some words of truth about how some of the pioneers of Hiphop have been treated. They get their due props, but many haven't been compensated properly for the pioneer work they put in, and artists that came after them who aren't nearly as good make a lot more money, and blow up on the charts etc.

To some degree that's how it is with me in Norway as well. I'm one of the Hiphop pioneers here, and quite possibly the first DJ to scratch in this country, and I appreciate all the love and props I get, and there's plenty of it, so to all my friends in Norway much thanks!.. But at the same time I've seen artists who are younger, some I helped get in the game, having more commercial success than myself, and some even dissing me when they got to where they wanted and didn't need me anymore. So I do feel I've been used by some of the younger generation, and could've done better here commercialy had it not happened, but of course I'm not done yet! (laughs)

The intro, and the opening track is not so much a song featuring Melle Mel as it's a DJ track, remake, remix, mashup of all the Furious Five's classics with some Melle Mel verses connecting the dots, and one of my hardest beats. Mel is my alltime favorite MC, and I grew up on his music, so the intro, and opening track is my tribute to him, and the old school. All profits of this track I'm sending to him, and a certain % of the album sales I'm gonna donate to organizations that's putting in work every day to keep Hiphop alive, and who supports the old school pioneers. That's my way of saying thank you to them for giving me just about everything. Who I am today is because of Hiphop, and without the pioneers there would be no Hiphop.

The title Victory is a lot about the fight goin' on between Hiphop vs commercialized Rap. Hiphop will come out the winner in the end, and on a personal level I've been through a lot of beef, backstabbers, snakes trying to take advantage of me to gain for themselves, and they've had their success, so now it's my turn, and I will win in the end.

You succeeded again in gathering a tremendous list of guests. Please tell us how you got to hook up with some of those legends?

That's usually a lot of networkin', plus a little money, and hard work, but this time it was easy. I'd say most of it happened by accident as I ran into people online when I was really just hangin' out, and some of the artists ended up on my album because of good friends who had connects too. I would especially like to thank The Pizdamen, KHB, Awkword, and Mark Deez for the hookups. I'm working on the follow up to Victory already, and that's much because of them. I would also like to thank Craig G for the professional, and super fast work on the crazy dope verse he hooked me up with. Craig G is a legend, and it was an honor to work with him.

It's remarkable that producer's albums keeps gaining quality and exposure (think about the Snowgoons, DJ Spinna's effort, JS-1,…). What's the secret behind this success-formula?

First of all cause the producers are in charge. When you work with other artists it's usually a give and take situation, and as for me I usually let the artists have the last word cause it is after all their songs, and they should be happy about the final results, but on my albums I do what I wanna do to a certain degree, I mean I would never put no autotune on voices and stuff like that! (laughs). In general a producer's job is to know how to make sure that the final product is tight, and experienced producers knows how better than most artists themselves so when producers are in charge it's gonna sound better, it's gonna fit better, and so on. Competition is as always crazy too so we have to keep doing better to stay on top of our game. It's a friendly competition, and it's good for Hiphop as it keeps getting better because of it. Producer joints usually have a lot of featured artists too which means they appeal to people who are already fans of the artists, and might have people discovering the other artists because of it, so as for promotion producer albums are great too.

If you had the chance to record a 1 producer - 1 emcee album (cf. Marco polo and Torae)… What emcees would be in your top rank for that?

Kool G Rap, Chino XL, or Rakim when it comes to skills. Nas, Jay-Z, or 50 Cent when it comes to business, but I enjoy working with unknown artists just as much as long as they have skills, know how to make songs, and are good peoples. Chemistry is the most important. If you get along well with an artist, and have a similar vision on what music you wanna make that's always the best. If it's a legend or an unknown don't matter all that much then, and I've worked with a lot of big name cats so I don't work as hard to make that happen anymore, but am of course happy every time I can make music with the artists I've been a fan of since way back.

How did you get to hook up with Kool G Rap for the promo video for Victory?

That was all business through his management.

We spoke after the release of Untouchable and you was kinda telling me that you would retire and step back from the game. How come you went on and are now even announcing another record? Is it the virus, the addiction,… or...

It's the swineflu.(laughs) Nah man it's like probably my age you know. I just turned forty, and I always convince myself that I'm working on my last record as that makes me work harder to make better music, but also I don't wanna outstay my welcome. I feel it's better to quit while ahead like, the day I realize I can't make a better album than my last I will quit, and after the follow up to Victory I'll most likely quit actually, but I've said that so many times now I know it's starting to sound like that story with the boy yelling "Wolf..Wolf!", then when he doesn't yell the wolf really ate him (laughs), and I guess the same might happen with me, and I won't make no big announcement but just fade out when it's time.

You seem to be heavy on the networking sites lately. Have you experienced the value of it in the form of more-sales or (new) people getting to your music?

Definitely! I've been steady movin' more digital units for every album, and much thanks to Foundation Media for the extended versions, and Instrumental album releases too. I'm excited to see how Victory will do as I have a better promo strategy for this one than before, and a lot more people helping me out. More and more people seem to check for my music too which is great, but I will always make music for the fans of hardcore Hiphop. I appreciate the love I get from anyone not into Hiphop as well, but the heads, and keeping Hiphop alive and well, is most important to me.

What's up with Unkut Records? You gave us a hint, that you would be launching some artists… Can you tell us more about those projects?

Yes. Infinito 2017 and I have a new band called Next Universe, and I'm putting out our album titled Classic Regulations on Uncut early next year. That track from Victory is a taste of the sound on the album as it's spacey, jazzy Hiphop beats with intelligence and skills on the mic, and a more laidback approach than my producer albums. It's a great album. I just finished it up yesterday actually.

I've also signed an MC from Atlanta to Uncut, named Mark Deez. He's on Victory, and is a part of a crew named Grindhouse Gang who is Mark Deez, Powder, Dr. ILL, and Lord Lhus also known from The Snowgoons albums. Mark is one of the best MC's of the new generation of cats comin' up, and his album is gonna be crazy so watch out for that. There will be some tracks produced by me on it, but also outside producers from the US, and Norway, or that's the way it looks now. Whatever tracks is the best at the end of recording and mixing the album are the ones to be on it. It should drop in the summer of 2010.

I'm also working on a new EP with Maylay Sparks, and my follow up to Victory, so with some luck there's gonna be like 3-4 releases on Uncut next year, and maybe more.

Suppose you would have to introduce yourself to a Hiphop fan without you being able to let 'em hear your music. What references would you use to explain how you sound like?

That's a good question though. I guess I'd just give them one of my albums, and let the music speak, but since I can't (laughs), I guess hardcore underground Hiphop with an old school touch to it.

What's in your car stereo at this moment?

Don't have a car. I'm one of those environmentalist dudes you know who doesn't drive because there's enough pollution as is, but just as much I never could afford a license cause I'd been buying records..again! (laughs), but at the crib it's been mostly my own stuff lately, and when I don't work on music I listen to the classics I grew up with in the 80's, and House music. I usually get on the tables whenever I have some time and just freestyle mix music for hours. That's how I relax.

Tell the people why and where they should buy Victory...

Because it will change your life like Victory usually does. You can buy it online at Amazon, ITunes, Spotify, Rhapsody, etc.

Thanks for the interview!

Thank you. It's always a pleasure, and much thanks for all your support and help, the great reviews of my albums, and the artwork. Platform8470.com is fam to me, and you help a lot of artists out, and let people know about some great music they might not have known about if it wasn't for y'all. Respect.

2009 ©Wulf

Tuesday, October 13, 2009

The White Shadow - Victory (2009)



Finally, my new, and fourth album titled "Victory" is ready to hit the online stores on October 26th. You can cop it then at Amazon.com, ITunes, EMusic, Napster, Spotify etc.

15 new tracks for the hardcore Hiphop heads, a couple of remixes and the rest exclusive tracks for this album with production and cuts by me, The White Shadow Of Norway, once again featuring 25 MC's from the US. Some legends, some established underground artists, and some new up and coming cats.


1. The Rap Game (Featuring Melle Mel)

Melle Mel is my favorite MC of all time so this is my dediaction to him, and the old school of Hiphop. I was never in the studio with him for this track, but made a DJ Mix/Mashup style track of the Furious Five's classics along with some hard to find Mel verses, and an intro by Vinnie Paz of Jedi Mind Tricks where he talks about how fucked up it is that some of the artists who created Hiphop are broke now, and about how the music industry and artists needs to show respect for the originators of Hiphop cause hands down if it wasn't for them none of us would be in the Rap game, and there would be no Hiphop at all.
One of the hardest beats I had in my vaults, so that sets the album off lovely, and on topic as this is about the fight between real Hiphop vs. commercialized Rap music where Hiphop wins in the end..VICTORY!
I've always been a fan of albums where the first track really grabs you and forces you to pay attention, and hopefully I've accomplished that with this banger, remix, mashup, dedication to the old school, and so on that's my way of saying thank you to the culture, and people who have made it possible for me and others to even make this music.


2. Dark Side (Featuring Seven)

Beat's on some straight up victory shit. Orchestral with horns and the whole nine, and my man Seven, who is one of North Carolina's finest MC's who was also featured on Supastition's "Chain Letters" album that I did cuts for as well, recorded three crazy verses made exclusive for this album, and tells grim tales from the dark side of living in the hood. That was a perfect opportunity for me to pull out, and update, some cuts I used ten years ago for the Norwegian Hiphop classic "Darkside Of The Force. This song should please all fans of that raw Hiphop for the streets. Some sampled dialogue by Raekwon, and Wise Intelligent made it complete.


3. It's The Crew Again (Featuring Sadat X, and KHB)

Brand Nubian were one of the best groups in the early 90's, and along with other artists like Pete Rock & CL Smooth, Leaders Of The New School, KMD, Del The Funky Homosapien, and more, their label Elektra pretty much ran shit back then much thanks to a good staff who knew what was hot on the streets, and I used to hang out a lot at the label as I lived in New York back then, and got to meet the staff and the artists, among them Brand Nubian, so it was funny that so many years later my peoples in Milwaukee, King Hell Bastards who is Clark Bent from The Pizdamen and some other cats, recorded a track with the wild cowboy Sadat X from Brand Nubian, and sent me the verses to see what I could do with them. That resulted in this track which is also droppin' on a 12" single soon. The beat's a funky banger along the DJ Premier school of Hiphop, and people who liked "Without A Shadow Of A Doubt", "No Sell Out", or "Pimp Strut" should love this one.


4. Before (Featuring Awkword, Block McCloud, and Pace Won)

Awkword is a cat from Connecticut who is putting together an album, and a movement, called the World View Project which is the first Hiphop album ever to feature people from all continents of the world, he kicked a verse for my previous album "Untouchable" on the track "That's That Shit", and we've kept workin' on music after that, and got plenty of hot tracks to come, and this is one of them. Pace Won from The Outsidaz, and AOTP/Brooklyn Academy affiliate Block McCloud recorded some insane verses on this beat which is another epic, orchestral banger that actually samples a pretty well known cartoon outta all things, and some scratched hooks taken from some Hiphop classics made this a banger that's been online for a while to preview, but is finally available in good quality here.


5. Gotta Do (Featuring Bawston Strangla)

Slowing it all the way down with this one, I felt it was time for a breather for track 5, and a statement that "I'm back now" on some ready to fight but calm as whatever type shit, and this joint's way different from the first four tracks. About a year or so ago I did a remix album for Commonwealth Records in Boston, and this is one of the tracks I didn't get to finish before that album was released, so it's stayed in the archives for a couple of years, and like fine wine it just got better with time, and the lyrics on this one it's funny cause I could've wrote them as a lot of them are about how I actually live my life, and some of what I've been through, and these verses here fits real well by accident, so this track is personal to me though it was written by someone from the other side of the world who I don't even know, and all that made it essential to include on the album. The beat got a little "Paul Revere" touch to it with reverse drums, plus moody, quiet orchestral samples, and the MC Bawston Strangla is a great artist with a very original style. When this guy rhymes it's like nothing affects him, and no matter how hard the struggles he keeps his cool. My personal life is offline and private, but if you wanna get to know a little about me as a person this track's the one.


6. Victory (Featuring Craig G, The Grindhouse Gang, and Strick (EMC))

Back up a notch or two for the title track. Beat's a banger on some strings, and stabs shit with hard drums, and thanks to the Internet I managed to hook up with Craig G for this one. Craig G is of course the legendary MC from the Juice Crew, the MC battle-consultant in Eminem's 8 Mile movie, and a lot of other things. A great, and professional artist who handles his craft, and his bizness well, and he represents himself, me, Grindhouse Gang, and Victory lovely on this verse. Verse two, and three are handled by The Grindhouse Gang from Atlanta, South Carolina, and New York. Grindhouse Gang is Mark Deez, Powder, Dr. ILL, and Lord Lhus known from the Snowgoons albums, and are among the best MC's on the new underground scene of young cats comin' up in the game right now who I predict will run this Rap-shit pretty damn soon, and they kick sick verses on this joint. Track's finished by a verse from Strick from Masta Ace's EMC crew who is from Milwaukee, and friends of The Pizdamen, so they hooked me up with Strick's verse that was originally used as a radio jingle for the Late Night Hype radioshow in Milwaukee, it was remixed so the timing of his verse is a little different than the original jingle, and including his verse is my dedication to the LNH show that ran ten years, but shut down last year, and so the end of this track introduces the next one lovely...


7. All My Friends (Featuring The Pizdamen)

...cause this here is the LNH show crew aka The Pizdamen. People who know my music are no strangers to them as I've done two full albums with them, and they've been on all my albums, so no exception, this time I also had to have my fam from Milwaukee, and Minneapolis represent. No White Shadow album without The Pizdamen, and this here is their sickest moment ever, I mean, they kick the kinda rhymes that would probably give Necro nightmares, as retards, pedophiles, sadomasochists, and other freaks get their (just?) due on the mic here. It's all done in fun tho, and we're not tryin' to diss nobody, so don't take it personal. This is pure comedy, and that's all it is, and if it shocks some people too along the way then that's good, cause when was the last time a song shocked you?...well this might do just that. =)
The beat's on some 70's Funk soundtrack shit with plenty of crazed sound-FX to set the creepy, but fun backdrop for the illiotic verses, where The Pizda's do what they do best on the mic..go ALL out on some extra super funny SICK shit. Wu-Tang's for the babies, but The Pizdamen is for the children.


8. Verbal Assault (Featuring IDE, and Alucard)

With this one we're back on the vibe that started off the album. Epic orchestral banger and a choir to go with that, and this might be my personal favorite beat on the album, it's hard to tell cause I keep switchin' favorite songs, but yeah this is my kinda beat, and I don't know how my man Wulf could make cover artwork that fits so well with the album without even hearing it, but he did, and this is the soundtrack to the cover like that, as it sounds straight out a Horror flick, and would also do well as the theme for war. IDE, and Alucard from New York spits the fire that's perfect for this type of beat, I pulled some of my sickest acapellas to cut with like "Production snatchin' you like alien obductions", and a certified epic banger was born. This is for the heads. The raw motherfuckers keepin' Hiphop alive, and the hardcore fanatics, this one's for you.


9. Classic Regulations (Featuring Infinito 2017)

After that trilogy of madness I felt it was a good time to slow it down a bit again, and this beat's on some mellow laidback Jazz, with playful basslines, and my man Infinito 2017 from Chicago who was on my "Renegades" album returns droppin' science like only he can do it. People needs to stop sleepin' on my man who is one of the most talented, and creative cats in the game, and we have a new group called "Next Universe", and we're gonna drop an album together next year, so if you like this track you're gonna love that album, as it's on the same vibe. Spacey, Jazzy, soulful Hiphop for the grown folks. Smooth vocal cuts in the hooks, a nice beat that's pleasant to listen to, and skills on the mic is what this song's all about.


10. Straight Bars (Featuring Mark Deez, Powder, Main Flow, and Nato Caliph)

This one was actually gonna be a Rappers Delight for 2009, and I had planned to make the longest Hiphop song ever, as it was gonna be 20-30 minutes long with just as many MC's on it, but my man Mark Deez, and some other MC's talked me out of that idea as they felt people wouldn't have the patience to sit through such a long track nowadays, and I decided to listen to their advice, and make this more of a regular joint that's still all about the MC's, as there's no hooks and scratches, but just a tight, and sinister 90's style beat with a hard breakbeat and what sounds like the Phantom of the Opera on the keys. Grindhouse Gang gets dangerous on the mic, Main Flow, and Nato Caliph follow them with the dopeness...Straight Bars.


11. You Don't Want (Featuring Ripshop)

Another remix I did for Commonwealth Records in Boston that wasn't done by the time they dropped my remix album, so I remixed it again, and the beat sounds like some mid 80's Euro Horror soundtrack with a touch of some G-Unit or Dr. Dre type shit. Drums are nasty too, and so is the rhymes that are more or less on the battle tip.
Dope track!


12. Ready For War (Featuring The Grindhouse Gang)

The last of three songs featuring The Grindhouse Gang on this album. Watch out for Mark Deez' album on my label Uncut Productions next year. We just started makin' it, and it's already sick before we've even recorded anything. This beat's straight Hiphop..drums, stabs, and some floating space-FX, that's all you need really.
Grindhouse rocks the mic hard on the battle tip, and on every album I do I have one track where I showcase my skills on the tables at the end of the song, and this is the one for "Victory", as I tried to take the Star Wars on Acid style even a step further. Scratched hooks on this one are simple but updated and hard. Another banger on some headnod shit still with a dark feel to it at the same time.


13. Rap Thugs (Featuring Infinito 2017)

Soulful Hiphop in the tradition of a lost track for Common's "Resurrection" album, or something like that, so what better than to pass the mic to Chicago's own Infinito 2017 again for this one that's about Rappers talkin' that thug shit on the mic when they're really not. Another jewel for the grown folks.


14. Wild Wild East (Featuring Awkword, Castro (Lost Souls), and Block McCloud)

A final epic banger for the album, the beat's a combo of a Horror and Post apocalyptic soundtrack, with a bit of Heavy Metal, and Spaghetti Western in the mix all the way down to the sawdust, and Colt 45's. This is a take on Kool Moe Dee's 80's classic "Wild Wild West", but by no means a remake. We just grabbed the title, and went off with it on some 2009 outlaws agenda with Awkword, Castro, and Block finishing off this album in great style, and Block McCloud shot the Sheriff, and the Deputy.
Perfect way to end the album on the upside with an extended grand finale type outro as if it was the ending of a movie, and a movie where the villains win in the end.


15. The End (Instrumental)

And if the album was a movie then this is the end credits as it's an Instrumental where I got more dreamy, romantic, and laidback than I usually do, and will hopefully give the listener some time to reflect on the album. Titled "The End" not just because it's the last track, but also because this was gonna be my last album, but plans have changed since then so there will be yet another album from me in a year or two, but until then enjoy what is in my opinion my best work so far by far.



Video teasers:





Thursday, June 25, 2009

Special: Horror



To make music you need some things to inspire you sometimes as music alone might not be enough. To some it's drugs, to some it's sex, to some it's travels, and to others it's books, but one of the things that's always inspired me is Horror movies. Fifteen years ago I wouldn't have talked too loud about it, especially in front of people into Hiphop, or other producers, as soundtracks to Horror movies was my main source for samples in the 90's, and not too many producers were into it other than flippin' Tubular Bells, or the theme from such blockbusters as Halloween or The Omen.

Nowadays soundtracks for obscure Italian and Asian Horror, and other movies from the 70's and 80's are well known sources to find dope samples but back in the mid 90's the only producer I can remember who sampled Horror music often was Necro, though Premier, Pete Rock, and more sampled from them every now and then. Nowadays most of the good stuff has been used and used again, and most producers have moved on to other things so it's time to talk about it out loud, and to make this different from the 8 million other stories about Horror online I'm gonna talk about what Horror means to me, and why I like it.



When I was five the fam and I was at a party at a relatives' house, and he happened to have some 8mm movies. One of them was The Mummy's Ghost, and after about an hour of begging, my parents ok'd a viewing of it, and even if it was an edited 15 minute 8mm version of the whole film, the gruelling images of the mummy appearing from a lake chasing a woman, and the shroud especially, was enough to scare the living shit outta me. After that I couldn't see someone with a bandage for years without makin' a quick escape, but at the same time I got more into scary movies, books, etc because of it.

It's funny but like music Horror is a drug, and once you're hooked you need better and more, and as a kid I was a big fan of Horror cartoons such as the cartoon versions of films like Alien, King Kong, and Dracula because the toons were the only way for us kids to get a feel of what seeing the movies might be like as we couldn't even get in to catch a James Bond flick, Star Wars was the only movie I managed to sneak into cause the head of the cinema was also the head of the school, and he knew all the kids and our ages by heart it seemed, and VCR's weren't even around yet, so at age 10-11 something the best we could get was our folks telling stories after they'd seen such movies as The Exorcist, Cat People, and The Shining if they weren't too scared to talk about them, and that made it even more exciting to me...that grown folks would actually get scared to death from seeing a movie, so I knew that had to be something special, and that I had to see them. The more "dangerous", and "illegal", the more fun. That's human nature for ya'.



Come the early 80's, and Video was the new drug. Nowadays most video rental stores are packed with boring mainstream titles, supplied by an industry of poor remakes, and "we've seen it a thousand times already" titles, but back then it was B-movie paradise, and you could choose from anything like Spaghetti Westerns, Blaxploitation, Martial Arts, and Porn, to Horror movies, and it wasn't exactly Dracula and Frankenstein that were sought after, but a new breed of explicit and violent Splatter flicks from Italy and the US.

We were finally able to watch the movies we really wanted to see as we could rent movies certified 18 with no problems even if we were kids. The videostore owners at the time didn't care much, and it was ok to most parents too if they weren't total squares or religious, but that's cause most of them had no idea what we were watching after dark when they were asleep.



An old censorship fanatic from the UK named Mary Whitehouse had been sent a tape of Cannibal Holocaust by its company VTC hoping to get some free promotion once she got to see the film, as she was already a well known anti Porn and Violence activist, but boy did the attempt for free promotion go way out of hand! It started a national panic in the UK among religious fanatics, parents, and anti everything activists, which spread to Germany, Scandinavia, and other European contries via a string of TV shows showing the most violent clips from some of the films, causing more or less panic including some politicians saying the VCR was a bigger threat to mankind than the atomic bomb, and a demand to ban this "filth" followed. The media labeled it "Video Nasties" or "Video Violence", and so a new genre was born, and the crusade for getting these films banned did quite the opposite. Sales of VCR's, and violent movies skyrocketed because of all the free promotion, and especially for children it became the new and exciting thing that we all had to see. In a matter of months police raided the Videoshops and movies were confiscated, making the demand for them even higher, but also made them very hard to get, and nowadays the most rare titles will fetch up to $1000 if it's an original VHS tape.



All of us kids in the early 80's wanted our parents to buy this new phenomenon called the Video machine. Most people couldn't afford to because prices were high back in the early days. A movie would cost something in the range of $200 to buy, and you couldn't rent yet, and a VCR would cost about $2000, so very few households had Video yet, but all of us kids wanted it. In my class at school maybe two or three kids had Video in the early 80's.

That changed for me when my mother happened to win a VCR in a local lottery, a Video 2000 machine from Bang & Olufsen, and yes it is the one pictured above. Needless to say I jumped for joy, and the main reason was the ability to finally catch some of the violent video nasties that were so talked about in the papers and on TV.
We had heard that those films were dangerous, and that you could actually go crazy from seeing them, so we had to see them, if nothing else than to see if we'd really go nuts.

The local video store carried some of them but not all, and not the nastiest ones, so those I got a hold of later, but they had some Horror movies. They would get a suitcase with thirty new movies inside every month, and there would be something for everyone, but mostly Horror, Martial Arts, Western, and Action, and all B-movies as that was the norm in the early days of Video. Off to the store I went to finally be able to rent my first movie to watch at home, aged twelve and all hyped up about Video Violence, I ran to the store and rented what was supposedly the most scary Horror flick they had, a film called The Devils Rain which was about a Satanic cult with a lot of black masses going on, and people melting from acid rain. Fun stuff.



A few months later a classmate had managed to get a hold of the infamous Cannibal Holocaust, a movie said to be a Snuff movie, that is a movie where people are killed for real. All bs of course but the director of it, Ruggero Deodato, had to go to court and bring the actors to prove that they were still alive, and that it was only a movie, so we watched it at the friends' house feeling disgusted, and thrilled, and it was very special seeing that movie, and actually believing that what took place on the screen was real.

I was about fourteen years old when I finally managed to borrow more of the Nasties from an older friend, and ran up to one of my friends' house who's dad had a VHS player, and as we needed that and I had Video 2000 it was sleepover time that night. My friends father understood all too well what was going on and confiscated my bag of movies which included The Texas Chainsaw Massacre, Death Trap (Eaten Alive), Halloween 1 & 2, The Omen, Night Of The Living Dead, Dawn Of The Dead, Shivers, and Zombie Flesh Eaters. There was no way in hell we were gonna watch those films on his VCR! It was ok that I slept over, but my friends' dad took the movies and put them beside his bed, so we waited til about 1am, and while daddy was asleep we managed to sneak the bag of films out of his room and downstairs where the VCR was.
So, finally we would get to experience some of the dangerous Videos, and Texas Chainsaw Massacre was put in first, then Death Trap, then Zombie Flesh Eaters.

We stayed up all night watching with an excitement I've never felt sooner or later from seeing any movie. then all of a sudden it was already 7am, we had stayed up all night, and daddy was awake coming down the stairs pretty furious to say the least, and after we had gotten some sleep he would have to give us a "good talking to".



From then on I started collecting Horror movies, and would use two VCR's to make VHS copies, and would buy rare movies from sellers all over Norway which was always risky because they were bootlegs, and most Horror movies were totally banned here then, and police would actually raid private homes in search of those movies, and sometimes close friends were busted, fined, and their collections were confiscated and destroyed by the police. Kinda funny when you think about it now as most everything is legal nowadays, and available for anyone to watch online, and also fun to think about because I used to make my friends scared, and ill from watching some of the movies in my collection, like Nekromantik must've left some scars over the years. =)

Nowadays we're lucky to have great remastered versions on DVD, and Blu-Ray, and we can own them without police paying an unwanted visit which is of course a hell of a lot more relaxing than it was, and it's not long ago, as the most violent and gory Horrorflix were banned in Norway until the early 2000's, but at the same time removing the illegal aspects of it sort of eliminated some of the fun and excitement also...sorta like Graffiti. A much bigger rush when it was done against the law.
Human nature again for ya'.



It's fun to see how kids are still getting into the Horror classics, and there's plenty of good new ones coming out too if you look past the Hollywood remakes. Seeing new blood get hooked to the genre also brings back memories of how much fun it was to see Texas Chainsaw Massacre or Cannibal Holocaust for the very first time, and believe me...it's great memories. =)

Having collected Horrormovies for decades now, and also after having worked at videostores for about ten years including owning one, I've seen most of what's worth seeing, and will end this story with lists of some of my Horror favorites, and a list of all the banned movies in the 80's. If you're a fan take some time out to revisit the classics, and if you're new to Horror movies you're best off not starting with the video nasties, or the more obscure Italian stuff as it takes some getting used to.
A good place to start then are the American classics like Halloween, Friday The 13th., Texas Chainsaw Massacre, The Shining, etc, and from there Evil Dead, Re-Animator, Braindead, to the more well known Italian flicks like Dario Argento's Tenebrae, and Opera, and Lucio Fulci's Zombie, and The Beyond. Also most people tend to enjoy some of the new movies out there, and especially there's a lot of great ones coming out of France nowadays like Martyrs, Inside, and Ils which is the original The Strangers. Some Asian flicks like Shutter, Ringu, and Battle Royale are also great.



Keep in mind that Horror-movies needs to be seen the right way for the full effect, and that means alone at night, all lights out, volume up loud, and a few doors, and windows open just a little bit.

Enjoy! =)



Top 10 Horror Classics:

1. The Shining
2. The Exorcist
3. Halloween
4. Jaws
5. Cannibal Holocaust
6. The Beyond
7. The Ninth Gate
8. Evil Dead
9. Deep Red
10. The Omen



Top 10 New School Horror:

1. Let The Right One In
2. Martyrs
3. The Others
4. Shutter
5. Cuento De Navidad
6. Frontieres
7. [REC]
8. Ringu
9. Ils
10. Haute Tension



Top 3 most scary movies to me:

1. The Woman In Black
2. Repulsion
3. Ghostwatch


Top 5 Directors:

1. Dario Argento
2. Stanley Kubrick
3. Roman Polanski
4. Lucio Fulci
5. John Carpenter



The Video Nasties / Banned Movies Of The 80's:

There were plenty more confiscated, and prosecuted, and the titles varied from one country to the next, but these were officially banned:

Absurd
Axe
Bay Of Blood
Blood Feast
Bloody Moon
Cannibal Apocalypse
Cannibal Ferox
Cannibal Holocaust
Cannibal Man
Don't Go in the Woods Alone
Evilspeak
Exposé
Faces of Death
Fight for Your Life
Flesh for Frankenstein
Forest Of Fear
Gestapo's Last Orgy
Island Of Perversion
I Spit On Your Grave
Love Camp 7
Mardi Gras Massacre
Nightmare
Night Of The Bloody Apes
Night of the Demon
Scared To Death
Snuff
SS Experiment Camp
SS Hell Camp
Tenebre
The Burning
The Devil Hunter
The Driller Killer
The Ghastly Ones
The Grim Reaper
The House By The Cemetary
The House On The Edge Of The Park
The Last House on the Left
The Werewolf And The Yeti
Zombie Flesheaters



Most of the movies are easy to get now on DVD. Google is your friend.